isologos

Naked: The corporal spectacles and the dislocation of exile in Libro de Manuel by Julio Cortázar and La nave de los locos by Cristina Peri Rossi

Authors

DOI:

https://doi.org/10.59516/invelec.triade.N1.24

Keywords:

Julio Cortázar, Cristina Peri Rossi, politics of space, body, exile

Abstract

Julio Cortázar and Cristina Peri Rossi are two Latin American mid-twentieth century writers who were close friends and enjoyed an ongoing personal correspondence, including published poetry and essays dedicated to one another. This essay explores a fictional correspondence between them by comparing the striptease scenes in two of their novels, Cortázar's Libro de Manuel and Peri Rossi's La nave de los locos. Both novels feature expatriate and exiled characters in European cities who perform in or become spectators of striptease shows held at clubs in gritty urban surroundings. Although some ten years separate the novels' publication, the significance of these scenes in their respective novels suggests some heretofore unexplored themes in their shared preoccupation with urban space, exile and displacement, political resistance, gender transgression, sexuality and the body. Rereading these scenes alongside feminist, gender, and performance studies theory from the decades in which the novels appeared, as well as in light of more recent theories on cross-dressing, trans performance and globalization, uncovers new dimensions in the politics of space, the body, exile and belonging in their work.

Author Biography

  • Marcy Schwartz, Rutgers University

    Marcy Schwartz es Profesora en Rutgers University, New Jersey, USA, donde enseña literatura y cultura latinoamericana en el departamento de Español y Portugués. Es afiliada también al Centro de Estudios Latinoamericanos, al Programa de Literatura Comparada, y al Programa de Humanidades Públicas de Rutgers. Se doctoró en letras hispánicas en la Johns Hopkins University, y tiene diplomas de maestría de la Johns Hopkins y de la Universidad de París-8. Ha publicado 7 libros y múltiples artículos sobre literatura hispanoamericana en relación al espacio urbano, la traducción y la fotografía.
    Sus libros más recientes son Páginas públicas: Leer en el paisaje callejero de Latinoamérica (Eduvim, 2024) y Voces en off: Traducción y literatura latinoamericana (coeditado con Daniel Balderston, Uniandes, 2018). Es facilitadora de People and Stories/Gente y Cuentos, un programa de lectura de cuentos literarios con grupos marginales en paradores, cárceles, hospitales y comedores comunes que también tiene proyectos en Puerto Rico, Colombia y Ecuador.

References

Aguirre, Carlos, Gerald Martin, Javier Munguía, y Augusto Wong Campos (eds.) (2023). Las cartas del Boom. Julio Cortázar, Carlos Fuentes, Gabriel García Márquez, Mario Vargas Llosa. Barcelona: Alfaguara.

----- (2023). “Introducción”. Las cartas del Boom. Julio Cortázar, Carlos Fuentes, Gabriel García Márquez, Mario Vargas Llosa (pp. 13-35). Barcelona: Alfaguara.

Augé, Marc (2000). Los “no lugares”: espacios del anonimato. Una antropología de la Sobremodernidad. (Margarita Mizraji, trad.). Barcelona: Gedisa.

Boal, Augusto (2009). Teatro del oprimido. (Graciela Schmilchuk, trad.). Madrid: Alba.

Bullough, Vern L. y Bonnie Bullough (eds.) (1993). Cross Dressing, Sex, and Gender.

Pennsylvania: University of Pennsylvania Press.

Butler, Judith (2002). Cuerpos que importan. Sobre los límites materiales y discursivos del ‘sexo’. (Alcira Bixio, trad.). Buenos Aires: Paidós.

----- (1990). “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” En Sue-Ellen Case (ed.) Performing Feminisms: FeministCritical Theory and Theatre (pp. 270-282). Baltimore: Johns Hopkins.

Case, Sue-Ellen [1985] (1996). De “Classic Drag: The Greek Creation of Female Parts”. En W.B. Worthen (ed.) The Harcourt Brace Anthology of Drama. Segunda edición (pp. 107-113). Fort Worth: Harcourt Brace.

Cochrane, Helena Antolin (1997). “Androgynous Voices in the Novels of Cristina Peri Rossi.” Mosaic, pp. 97-114.

Cortázar, Julio (2012). Cartas. 5 vols., editado por Aurora Bernárdez y Carles Álvarez Garriga. Madrid: Alfaguara.

----- [1973] (1983). Libro de Manuel. Barcelona: Bruguera.

----- (1984). Salvo el crepúsculo. México: Nueva Imagen.

Davy, Kate (1992). “Fe/male Impersonation: The Discourse of Camp.” En Janelle G. Reinelt y Joseph R. Roach (eds.) Critical Theory and Performance. Michigan: University of Michigan Press, pp. 231-247.

Dolan, Jill (2012). The Feminist Spectator as Critic. University of Michigan Press.

Duncan, Nancy (ed.) (1996). Bodyspace: Destabilizing Geographies of Gender and Sexuality. London: Routledge.

----- (1996). “Renegotiating Gender and Sexuality in Public and Private Spaces.”Bodyspace: Destabilizing Geographies of Gender and Sexuality. Routledge, pp. 127-45.

Fraser, Mariam y Greco, Monica (eds.) (2005). The Body: A Reader. London: Routledge.

Foster, Timothy (1997). “Transgressions in Literature, Politics and Gender: Peri Rossi’s La nave de los locos.” Confluencia, vol. 13, no. 1, pp. 73-83.

Gambaro, Griselda (1981). “El despojamiento.” Tramoya, n° 21-22, pp. 119-28.

Garber, Marjorie (1992). Vested Interests: Cross-Dressing and Cultural Anxiety. New York: Routledge.

Garner, Stanton B., Jr. (1994). Bodied Spaces: Phenomenology and Performance in Contemporary Drama. Ithaca: Cornell University Press.

Downloads

Published

2025-06-26

Issue

Section

Estudios sobre literatura

How to Cite

Naked: The corporal spectacles and the dislocation of exile in Libro de Manuel by Julio Cortázar and La nave de los locos by Cristina Peri Rossi. (2025). TRÍADE , 1. https://doi.org/10.59516/invelec.triade.N1.24